Sascha Masetto

Alvaro has always wanted to be a movie star. Although he's lived on visas in Los Angeles for years, he's now residing in the States illegally. His dream of stardom will have to wait until he's found someone willing to give him citizenship through marriage. The longer he stays out of status in the US, the larger the risk grows of deportation and banishment.
As hope begins to fade, Alvaro meets Samantha, a smart, beautiful, American girl. She aspires to be a painter but supports herself with online-camming and sugar-babying. Student debts and a high cost of living drive her way out of her comfort zone.
Samantha makes a proposal to Alvaro: She'll marry him so he can obtain the green card, but he has to join her cam sessions. Alvaro always knew he'd be in front of the camera, but not like this...


Minka is the daughter of poor fisherfolk. Wishing for a better life, she sells Grunge, a highly addictive drug that is sweeping through the human realms. After being implicated in a murder, Minka is forced to abandon her country, livelyhood, and family to avoid persecution.
Ralo is half human and half kelick, a magical race who cultivate Grunge. He tires of being a desitute farmhand, so when Minka appears in his life, he helps her revolutionize the drug trade.
Kaino Devorjak, the Mad Prince of Critono, seeks absolute power over all. While satisfying his cannabalistic urges, Kaino sets out on a bloody rampage.
As these three venture towards their destinies, they rock the continent to its very core and awaken powers beyond their comprehension.
Diane, a physicist from the far-future, who decides to travel back to the late seventeenth century to curb colonialism and modernize the world early. She makes a pitstop in the year 2019 and accidentally brings along José, a surly teenager, who becomes enraged when he discovers their trip was not a practical joke. He swears to enact revenge upon Diane while the Machiavellian scientist focuses on creating the world she believes to be righteous.
The two carve their way into history, often violently and without regard for aftereffects. Diane marches ahead towards an idealistic dream, while José stumbles around, hoping to find a way back.